Tomris Laffly is a freelance film writer and critic based in New York. A member of the New York Film Critics Circle (NYFCC), she regularly contributes to RogerEbert.com, Variety and Time Out New York, with bylines in Filmmaker Magazine, Film Journal International, Vulture, The Playlist and The Wrap, among other outlets.
The parallels between the films stretch from plot to message though the latter film is a façade, an allusion of reality carefully crafted and manipulated to allure its viewers and coax them with false ideals and promises. One of the major similarities of the two films is the idea of the hero, the sole individual that stands apart from the masses, offering hope and preaching equality.
Cast: Aldo Fabrizi, Anna Magnani, Marcello PaglieroThe wounds of European conflict and Nazi occupation were still tender in Rome in late 1944, which chimed with the documentary instincts of Italian filmmaker Roberto Rossellini. Rome, Open City drew on real issues and situations during the years of conflict. Needless to say, the brutality of the occupying regime is presented with a shocking frankness, not only its indifference to class, age, gender and religion, but its total lack of logical purpose. Rossellini shot the film using leftover celluloid from other movies, which not only lent it a gritty newsreel aesthetic, but a real sense of urgency and anguish. Three years later he would tell a similar story from a different perspective in Germany, Year Zero.
The first version was available for Windows Me in 2000, followed by Windows XP in 2001. Movie Maker 6.0 is the last version to be built-in with the system. In 2008, Its replacement, Windows Live Movie Maker, is was included with Windows Live Essentials, a free download from Windows Live.
Note: Many of the screenplays will differ from the final cut of the movies due to film editing, shooting draft changes, and the fact that some are earlier drafts. Also, some of the scripts don't adhere to the general contemporary guidelines and expectations that novice screenwriters should abide by. When in doubt, always err on those guidelines and expectations. Some scripts follow a dated format while others are written by established professionals that have format leeway and are allowed to go beyond the general 90-120 page count guideline.
I ask not because I am a film snob. I like to sit in the dark and enjoy movies. I think of old films as a resource of treasures. Movies have been made for 100 years, in color and black and white, in sound and silence, in wide-screen and the classic frame, in English and every other language. To limit yourself to popular hits and recent years is like being Ferris Bueller but staying home all day.
I know that many people dislike subtitled films, and that few people reading this article will have ever seen a film from Iran, for example. And yet a few weeks ago at my Overlooked Film Festival at the University of Illinois, the free kiddie matinee was "Children of Heaven," from Iran. It was a story about a boy who loses his sister's sneakers through no fault of his own, and is afraid to tell his parents. So he and his sister secretly share the same pair of shoes. Then he learns of a footrace where third prize is . . . a pair of sneakers.
I think the key to learning to enjoy silent movies is to think of them as stories told in pictures, and not as films. If you picked up an illustrated book and the people in the pictures started moving around and doing their thing, you'd probably think that was kind of cool, wouldn't you? So why not give some of these a try:
Nosferatu (1922; call numbers DVD KINO K 253 and streaming online) is an early film treatment of Dracula, and one of the best known Expressionist flicks. The filmmakers tried (unsuccessfully) to avoid a lawsuit from Bram Stoker's estate by changing the name and details of the story. The film's Count Orlok is the polar opposite of Bela Lugosi's more familiar Count Dracula: sickly, monstrous, cadaverous instead of suave and seductive. The special effects seem amateurish by today's standards, but I still get the creeps when I visualize Orlok rising from a lying position like a garden rake someone had the misfortune to step on.
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The streaming giant has a massive catalog of television shows and movies, but it does not include 'Narvik: Hitler's First Defeat.' We recommend our readers watch other dark fantasy films like 'The Witcher: Nightmare of the Wolf.'
Amazon Prime's current catalog does not include 'Narvik: Hitler's First Defeat.' However, the film may eventually release on the platform as video-on-demand in the coming months. fantasy movies on Amazon Prime's official website. Viewers who are looking for something similar can watch the original show 'Dororo.'
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